LYRIC STAGE PRESENTS
WEST SIDE STORY
SEPTEMBER 5-14, 2008
Carpenter Performance Hall

Lyric Stage, Dallas County's only locally produced professional musical theater company, opens its sixteenth season with WEST SIDE STORY, September 5-14, 2008. Performances are Thursday-Saturday evenings @ 8:00 PM with matinees on Sundays @ 2:30 PM. Performances are in the Irving Arts Center's Carpenter Performance Hall, 3333 N. MacArthur Blvd. Irving, TX. Tickets can be Ordered Online by Clicking Here or by calling the box office at 972-252-2787.

Lyric Stage Founding Producer Steven Jones wanted a director with a direct connection to Jerome Robbins to stage WEST SIDE STORY, so he contacted Tony Award winning director and original WEST SIDE STORY cast member Grover Dale. "When I first spoke with Grover, he had just returned from Japan, where he had seen a production of WEST SIDE STORY. He was excited about the prospect of staging the show with many of the subtleties and nuances of the original Broadway production on a large stage with a full orchestra," Jones said. "Opportunities to witness an American classic musical supported by a 32-piece orchestra," claims Dale, "are rare to come by. The brilliance of Leonard Bernstein / Stephen Sondheim's score as well as Jerome Robbins' choreography will definitely get its chance to shine."

Jay Dias, music director of last seasons' CAROUSEL, returns to Lyric Stage as music director for WEST SIDE STORY. Kate Swan will recreate the original Jerome Robbins choreography. Lighting design is by Julie Moroney, costumes by Drenda Lewis, properties and scenic realization by Jane Quetin and sound design by Bill Eickenloff.

Micah Shepard and Kimberly Whalen are star crossed lovers Tony and Maria. Antonio Jimenez is Bernardo and Christie Peruso is Anita. The Jets: Philip Groft, Brett Quine, Harry Feril, Jeremy Dumont, Jason Mayfield, Stephen Langton, and Tyler Donahue. The Jet Girls: Lili Froehlich, Hannah West, Ryan VanCompernolle, Meghan Fluker and Kellie Carroll. The Sharks: Sergio Garcia, Mario Martinez, Alexander Arroyo, Peter Romaniello and David Staggers. The Shark Girls: Amanda Passanante, Melody Denoia, Kristin Smith, Koreyci Barreto and Angela Moore. The adults: Donald Jordan, Francis Fuselier, John Davies and Gordon Fox.

Tickets, priced from $20-$50, can be Ordered Online by Clicking Here or by calling the box office at 972-252-2787. Performances are September 5-14 in the Irving Arts Center’s Carpenter Performance Hall.

DOWNLOAD THE WEST SIDE STORY PROGRAM - PDF FILE 1MB


In 1953 Grover Dale, a skinny young man from McKeesport, Pennsylvania, boarded a bus for New York with $130 in his pocket and a dream in his heart. He was totally unaware that the career he was about to embark on would catapult him from the choruses of Broadway musicals into principal movie roles alongside Gene Kelly, Debbie Reynolds, and George Chakiris. It never would have occurred to him that he would be cast in the original company of "West Side Story," be discovered by Noel Coward in Paris, be praised by Judy Garland in London, be fired by Agnes de Mille in New York, beat out Dustin Hoffman for an acting role on a daytime soap, swim with Esther Williams on CBS' first color broadcast, teach Barbra Streisand the "lindy" for "The Way We Were," splatter a rotten tomato on Debbie Reynold's face in the film of "Unsinkable Molly Brown," dine in the south of France with Orson Wells and Marlene Deitrich, or co-direct a Broadway musical with Jerome Robbins. All of this was in store for the skinny young man who learned to tap dance from Lillian Jasper in at the Three Sisters School of Dance.

In 1954, Grover Dale showed up at Bob Fosse's audition for "The Pajama Game." Thinking it didn't matter that he was dancing in the back row, Grover was certain that good dancers get noticed regardless of which line you were in. He was wrong. He didn't make the cut. For a young man destined to have a lengthy career, Grover had a lot of learning to do.

His inexperience may have kept him hidden from Bob Fosse, but it didn't get in the way of being cast by Michael Kidd the following year for "L'il Abner." After a full season as an "employed" dancer, Grover auditioned for the notorious genius/task master, Jerome Robbins. Forsaking the tendency to dance in the back row, Grover stepped forward and competed with hundreds of other dancers eager to be cast in the original production of "West Side Story." Five days after signing a contract, Grover arrived at the first rehearsal with Snowboy's eight lines of dialogue memorized. He assumed that was the only preparation necessary. Once again, Grover had more lessons to learn.

Overwhelmed by Robbins' demands for acting skills, Grover realized he was in trouble. Applying "objectives" and "motivating movement" was a language he wasn't familiar with. His enthusiasm and love for dance wasn't enough. Taking on the task of saving his job challenged every resource he could muster. By the time WSS completed its tryout in Philadelphia, Grover's role of Snowboy was no longer in jeopardy. In fact, his name was added to the show poster.

WSS was a turning point in Grover's education. In the years that followed, he grasped the idea that preparing for the next opportunity never stops. There's always a new skill or a new technique to be mastered. "Frankly," he suggests, "if a performer isn't on the path to more growth, they might as well pick another profession...!"

Exposure to artists like Jack Cole, Joe Layton, Tony Charmoli, Michael Bennett, Peter Gennaro, Gwen Verdon, Onna White, Graciela Daniele, Herbert Ross, Ann Reinking, Rob Marshall, Susan Stroman, and Gillian Lynne have given Grover as many growth opportunities as one could wish for. Today, he's not only acknowledged for professional achievements (the credits and list of honors are at the bottom of this page..) but for his willingness to help jump-start so many young dance careers through his writing.